CASE STUDY OF NATIONAL AERONAUTICS AND SPACE ADMINISTRATION
National Aeronautics and Space Administration (NASA) was established in 1958. It has been working around the world for almost 60 years, trying to answer some basic questions: What’s out there in space? How do we get there? What will we find? What can we learn there, or learn just by trying to get there, that will make life better here on Earth?
We now have an agile, scalable foundation on which to do all kinds of amazing things. Much like with the exploration of space, we’re just starting to imagine all that we can do with it.”
Bryan Walls
Imagery Experts Deputy Program Manager, NASA
about the mysteries of space? Or marveled at the expansiveness of our galaxy? You can easily explore all this and more at the NASA Image and Video Library, which provides easy access to more than 140,000 still images, audio recordings, and videos—documenting NASA’s more than half a century of achievements in exploring the vast unknown. For NASA, providing the public with such easy access to the wonders of space has been a journey all its own.
NASA began providing online access to photos, video, and audio in the early 2000’s, when media capture began to shift from analog and film to digital. Before long, each of NASA’s 10 field centers was making its imagery available online, including digitized versions of some older assets.
Therein was the challenge: “With media in so many different places, you needed institutional knowledge of NASA to know where to look,” says Rodney Grubbs, imagery experts program manager at NASA. “If you wanted a video of the space shuttle launch, you had to go to the Kennedy Space Center website. If you wanted pictures from the Hubble Space Telescope, you went to the Goddard Space Flight Center website. With 10 different centers and dozens of distributed image collections, it took a lot of digging around to find what you wanted.”
By 2014, like with many government agencies, NASA was trying to get away from buying hardware and building data centers, which are expensive to build and manage. The cloud also provided the ability to scale with ease, as needed, paying for only the capacity we use instead of having to make a large up-front investment.
The NASA Image and Video Library is a cloud-native solution, with the front-end web app separated from the backend API. It runs as immutable infrastructure in a fully automated environment, with all infrastructure defined in code to support continuous integration and continuous deployment (CI/CD).
In building the solution, InfoZen took advantage of the following Amazon Web Services:
• Amazon Elastic Compute Cloud (Amazon EC2), which provides secure, resizable compute capacity in the cloud. This enables NASA to scale up under load and scale down during periods of inactivity to save money, and pay for only what it uses.
• Elastic Load Balancing (ELB), which is used to distribute incoming traffic across multiple Amazon EC2 instances, as required to achieve redundancy and fault-tolerance.
• Amazon Simple Storage Service (Amazon S3), which supports object storage for incoming (uploaded) media, metadata, and published assets.
• Amazon Simple Queue Service (SQS), which is used to decouple incoming jobs from pipeline processes.
• Amazon Relational Database Service (Amazon RDS), which is used for automatic synchronization and failover.
• Amazon DynamoDB, a fast and flexible NoSQL database service, which is used to track incoming jobs, published assets, and users.
• Amazon Elastic Transcoder, which is used to transcode audio and video to various resolutions.
• Amazon CloudSearch, which is used to support searching by free text or fields.
• Amazon Simple Notification Service (SNS), which is used to trigger the processing pipeline when new content is uploaded.
• AWS CloudFormation, which enables automated creation, updating, and destruction of AWS resources. InfoZen also used the Troposphere library, which enables the creation of objects via AWS CloudFormation using Python instead of hand-coded JSON—each object representing one AWS resource such as an instance, an Elastic IP (EIP) address, or a security group.
• Amazon CloudWatch, which provides a monitoring service for AWS cloud resources and the applications running on AWS.
Through its use of AWS, with support from InfoZen, NASA is making its vast wealth of pictures, videos, and audio files—previously in some 60 “collections” across NASA’s 10 centers—easily discoverable in one centralized location, delivering these benefits:
• Easy Access to the Wonders of Space. The Image and Video Library automatically optimizes the user experience for each user’s particular device. It is also fully compliant with Section 508 of the Rehabilitation Act, which requires federal agencies to make their technology solutions accessible to people with disabilities. Captions can be turned on or off for videos played on the site, and text-based caption files can be downloaded for any video.
• Built-in Scalability. All components of the NASA Image and Video Library are built to scale on demand, as needed to handle usage spikes. “On-demand scalability will be invaluable for events such as the solar eclipse that’s happening later this summer—both as we upload new media and as the public comes to view that content,” says Bryan Walls, Imagery Experts Deputy Program Manager at NASA.
• Good Use of Taxpayer Dollars. By building its Image and Video Library in the cloud, NASA avoided the costs associated with deploying and maintaining server and storage hardware in-house. Instead, the agency can simply pay for the AWS resources it uses at any given time.
While NASA’s new Image and Video Library delivers a wealth of new convenience and capabilities, for people like Grubbs and Walls, it’s just the beginning. “We now have an agile, scalable foundation on which to do all kinds of amazing things,” says Walls. “Much like with the exploration of space, we’re just starting to imagine all that we can do with it.”
